Dreams, memories and work schedules<\/p>\n\n
The play<\/strong><\/p>\n\n Phoebe and Panos love each other deeply but they are unemployed, up to their necks in debt, and threatened with eviction. Extreme measures are required. The absurd is lurking. People introduced: a mental health controller, a phone-sex line customer, a debt negotiator interested in unexpected trade-offs\u2026 <\/p>\n\n When it comes down to it, how do you resist, when it all goes wrong?<\/em><\/p>\n\n Excerpt from the play<\/strong><\/p>\n\n PANOS: I can\u2019t any longer.<\/p>\n\n PHOEBE: How do we figure a way out?<\/p>\n\n PANOS: My ideas are all black.<\/p>\n\n PHOEBE: Mine aren\u2019t.<\/p>\n\n PANOS: This is why we\u2019re together.<\/p>\n\n PHOEBE: Fine, then I\u2019m in charge now.<\/p>\n\n PANOS: Let\u2019s go.<\/p>\n\n Nina Rapi<\/strong><\/p>\n\n Nina Rapi writes plays, short stories and essays. Her plays have been staged\/presented and\/or were published in London, Athens, New York, Slovakia, Italy, Poland, India. They include: Angelstate, Splinters, Wild Beats, Did Persephone have the Stockholm Syndrome<\/em>, Kiss the Shadow, Edgewise, Reasons to Hide<\/em>, Ithaka<\/em>. She taught at London University and Greenwich University. Her latest short story collection Field of Flow<\/em> has been published by Kappa Publications, while her previous collection, State of Fugue<\/em>, was published by Kedros. Her essays have been published by the Cambridge University Press, Routledge and many more. She was the founder and editor-in-chief of the ground breaking Brand Literary Magazine<\/em>. <\/p>\n\n